Can a schlocky burrito joint be a space for a cross-section of people from all walks of life to gather and commune as strangers around late-night food before heading on home? Can it also be an animator of urban life despite its less-than sleek design? Our article on the closing of the famed late-night burrito joint El Gran Burrito just ran on LAist and looks at precisely these questions, while serving as an ode to a deeply loved place.
While the site El Gran currently inhabits will be replaced by much-needed housing, the article aims to challenge all of us to question how and why we have created an either/or situation in which there has to be a choice between housing or El Gran. We’d like to imagine and reach for a world in which BOTH are very much possible and could exist together within the same grand (burrito!) site.
If you had written off Eames as a name synonymous with a certain type of look and chair that figures prominently within mags like Dwell and within the walls of austere mid-century modernist homes that have become, shall we say, a wee bit played out, you are probably not alone. Yet a trip to the Oakland Museum to see their temporary exhibit on Eames – that is, Charles and Ray Eames – might make you rethink writing Eames off as just another overpriced and coveted chair. The exhibit takes a compelling and playfully cacophonous look at the breadth of the work of the Eames duo – a body of work that encompassed so much more than chairs and whose mission was, at the end of the day, to make furniture and information and design available to the masses in an age of mass production. Additionally, the exhibit makes it very clear that contrary to what many had thought before, this was not a one-man show. Ray, Charles’s wife, was just as integral to the work as he was, as were their staff who populated their circus-like, delirious studio on Washington Boulevard in Venice, Los Angeles. Long story short: Go!
What is so fascinating about this documentary on Southern California’s Descanso Gardens is that it really traces the evolution of our understanding as a culture of nature, ecology, and gardening. And this evolution can be seen through what the Gardens have prioritized and modified over the years – such as moving water-loving camelias (the early cornerstone of the Gardens) away from the live oaks (which hate summer water), and an increasing focus on water conservation and habitat landscaping. The documentary even weaves in the ugly history of Japanese internment, its connection to the Gardens, and how that story, once buried, is now told very openly.
While past peak, the years-long drought in California is showing its effects in slo-mo delay, coming on in the form of many a street tree stressed to the point of just not being able to take it anymore. Nowhere can this phenomenon be seen more than in Southern Calfifornia, where one of the street trees hardest hit has been the southern magnolia / Magnolia grandiflora. A tree native to the rain-abundant American South, it probably never should have been planted in Southern California at all, where rainfall is typically a scant 12 – 15″ during a good year. But, alas, like so many consumer goods, trees come in and out of fashion, regardless of what practical considerations there may be. In the ’50s and ’60s, street upon street were planted with magnolias in places like Hollywood, and Beverly Hills, and Alhambra – all arid regions and all requiring that the magnolias be irrigated generously in order to survive and thrive. Then, when the watering bans then hit a few years ago and folks were told to let their lawns and parkways go brown, the trees were never ready for the suddenly parched conditions. Many became stressed, and now, some years later, many are dying. As a result, the cooling shade and outdoor-room-creating canopies will be lost, and we will be left with wide streets and excessive sunlight and heat.
While devastating for the character of so many neighborhoods and the quality of life of our cities, we need to view this loss of trees as an opportunity to rethink what we plant and how. Even before the drought and worsening global warming, LA was a dry place. This simple truism is not going to change in the foreseeable future, and thus we must start planting trees that can handle these hotter and drier conditions – and that can handle them for the long haul. All it takes is a little observation to see which trees are still pushing on and looking good. In the photo above, you can see that this jacaranda – a tree actually not considered one of the most drought tolerant – and its surrounding plants are doing just fine – more than fine – and this is in hot hot Riverside County, in a parkway space surrounded by heat-absorbing asphalt and concrete. What other trees do you see still doing well? What other trees that you haven’t seen could be invited in, to create amazing tree-lined boulevards for the 21st century? Mesquites, acacias, jacarandas, palo verdes, tristanias – and the list goes on. We cannot keep doing what we’ve always done; it’s simply not working, and we’re seeing our lack of foresight in the form of sadly dying trees and sunbaked parkways. Let’s do better this time around.
It’s o-fish, we have passed our exams, are fully bonded and insured, and are now licensed landscape contractors in the state of California. We started out mega-small in Minneapolis, working on my parents’ landscape, and from there things have grown and evolved and led to this. Our goal is to make irrigation-free a reality in California. People say it cannot be done, but we know it can, and the plants and water supplies will thank us for it.