In the realm of authentically exciting news, we’ve begun work on our newest landscape project, dubbed the #ButterflyRedux and which involves retooling and reworking what has amounted to a well-intentioned but hot-mess-looking butterfly garden. Of course, never ones to just plant something pretty and call it a day, the #ButterflyRedux project is a thoroughly two-layered endeavor:
Layer 1: Explore how self-sowing native plants and more tried-but-true garden stalwarts and cultivars can be combined within one – ideally harmonious – landscape.
Over the next week, we will be retooling the existing landscape and giving it some good bones (see some of those bones in the photo above), and then we will be laying a grid atop the finished product to then document the species and location of every plant within the space. This grid we will then be laying over the landscape every spring to see how the composition of the landscape evolves over time. Kingsbury’s (and by extension our) intention is to really explore and observe how horticulture and ecology intermingle in such a landscape, and then to generate a set of data and observations on how dense plantings can reach a sort of natural equilibrium that maximizes visual heft and impact, creates a carbon-capturing ground cover, and minimizes maintenance.
Pertaining to Layer 1: Heretofore, many a wildlife garden has been treated as seeming sacrifice for a cause: who cares if it looks weedy, as it’s doing so much good for the world? Additionally, mixing cultivars into a native-plant landscape has been seen as somehow “weakening” the value of the space. We are thoroughly of the opinion that wildlife appeal and aesthetics shouldn’t and don’t need to be mutually exclusive but that achieving this two-pronged landscape requires mixing cultivars with native plants. As such, we will be exploring what techniques can be employed with varying shapes, colors, textures, and forms to create a landscape that can read as an intentional garden space on the one hand, and as an actual attractor of wildlife on the other. Our ultimate aim of this endeavor is to generate a series of key principles and how-tos for creating a new kind of wildlife-friendly garden that is rooted as much in human psychology and how we perceive landscapes and space and their intentionality and beauty as it is in attracting the beneficial insects and critters that we are increasingly realizing are integral to the overall health of our world.
You may read further blog posts/updates on the project HERE and/or follow the work on Instagram.
If you are interested in both the history and evolution of the American front yard and rethinking how we design and use this historically purely aesthetic space, please join us for an interactive and collaborative workshop on April 20 @ 1:00 p.m. at the machinaloci space in South Berkeley. Co-led by James Rojas of Place It!, Trena Noval and Ann Wettrich of Fieldworks Collaborative, and Carol Mancke of machinaloci.
We are excited to announce our first new landscape of 2019, in Glendale, CA. It will be a front-yard lawn-to-landscape conversion involving drought-tolerant deliciousness, eye candy in spades, and habitat for a whole host of fantastic winged and four-legged friends (and humans too). While the landscape will have an irrigation system, we will be reducing the amount of water used over time, so that ultimately much of the landscape can thrive on its own, whatever may come its way. Stay tuned for more updates.
What is so fascinating about this documentary on Southern California’s Descanso Gardens is that it really traces the evolution of our understanding as a culture of nature, ecology, and gardening. And this evolution can be seen through what the Gardens have prioritized and modified over the years – such as moving water-loving camelias (the early cornerstone of the Gardens) away from the live oaks (which hate summer water), and an increasing focus on water conservation and habitat landscaping. The documentary even weaves in the ugly history of Japanese internment, its connection to the Gardens, and how that story, once buried, is now told very openly.
Late summer and early fall in much of the country are characterized by golds and purples, if you know where to look. In fields, prairies, vacant lots, and roadsides, the gold of goldenrod makes its determined and brilliant appearance. Growing from spring through summer, slowly sending its flower buds forth, it finally bursts into explosions of gold when many plants have long finished flowering and are already getting ready to slow down for winter. Bees and butterflies then flock to its flowers, stocking up on pollen and nectar before hunkering down or flying south. And then, just like that, the spectacle of color is over – or seemingly so – as a new spectacle then appears: birds, coming to feast on the seeds.
While some goldenrods do look a bit on the weedy side at times, we can forgive them for that, because everything else about them is, well, golden. For further reading, we cannot think of a better writing on this amazing plant and flower than the poem “Goldenrod” by Mary Oliver. You can read that here.