A photo of Vacant Lands 1 in San Francisco’s Presidio
Here are the photos from the first Vacant Lands installation, installed in San Francisco’s Presidio as part of the Architecture as Pedestal Exhibition. Thank you to everyone who came by, asked questions, looked, explored, observed. We came up with the idea for the project in 2014, so it’s been a long road from conception to installation, and thus the support and interest were greatly appreciated. Naturally we already have our eyes and mind on the next installation, what it will look like, where it will be, and how you will be able to explore it. Stay tuned. For more info, you may click HERE.
We are spectacularly thrilled to announce that we will be doing our first Vacant Lands installation right here in San Francisco. The installation will be featured as part of the Architecture as Pedestal exhibition, which will be held on October 29 and 30 in the Presidio. To see a video of the site with the glorious fog rolling in, you may visit our Instagram page HERE.
If so, and if you have any ideas as to its proper identity, growth habits, needs, hankerings, please tweet to @prairieform or email us at firstname.lastname@example.org.
An Acacia melanoxylon / black acacia seedling found growing in the crack between a curb and a concrete slab in Berkeley, CA
While hated by many for its invasiveness, it’s difficult not to marvel for just a moment at the multi-toned, variegated, and delicate beauty of an Acacia melanoxylon / black acacia seedling. You might marvel even more if you knew that this particular seedling shown above was found growing between the curb and a concrete slab of an unirrigated median on busy, traffic-soaked Adeline Street in south Berkeley (otherwise known as Quadrant B of the Vacant Lands Broakland Study Area). This is true tenacity.
How this seedling made its way to this particular spot is anyone’s guess, but an 1858 seed catalog might hold the key. It was brought from Australia to England in 1819 and was one of the first Australian plants offered for sale in California. William Walker was the first Californian to make it commercially available in his 1858 Golden Gate Nursery catalog. And now the tree can be found growing not only in California, but also in Africa, Asia, Europe, South America, and the continental US – a vast range in large part due to the plant’s knack for self-sowing with abandon and being able to grow and thrive within the toughest of conditions – from drought, to smog, to everything in between. Far from being a mere survivor, the tree is actually prized for its wood, both as durable lumber and as the raw material for something more decorative – say a chair, or, perhaps, a chaise.
Final tidbit of Acacia melanoxylon trivia: it goes by many more accessible, some might say sassier, names: Sally wattle, lightwood, hickory, mudgerabah, Tasmanian blackwood, black wattle, or blackwood acacia.
Excerpt from Collection of Ten-Thousand Leaves, courtesy of Alive in Tokyo
Collection of Ten-Thousand Leaves is the oldest known anthology of Japanese poetry in existence. It was compiled in the middle of the eighth century and contains some unexpectedly relevant glimpses into the lives of ordinary and not-so-ordinary Japanese people, who are living and going about their lives in so much of the same ways that we do now. Given our recent work with Vacant Lands, we could not help but notice and be drawn to one poem in particular, a dialogue poem that makes clear mention of weeds and their real existence in the writer’s life. Beyond the mention of weeds, it is a dear and lovely poem to boot.
It reads as follows:
Had I foreknown my sweet lord’s coming,
My garden, now so rank with wild weeds,
I had strewn it with pearls!
What use to me a house strewn with pearls?
The cottage hidden in wild weeds
Is enough, if I am with you.
From Keene, Donald ed. Anthology of Japanese Literature. New York: Grove Press, 1955.