Prairieform’s DJ alter-ego, Johnnycakes, has a new set up for your listening enjoyment. It has a bit of a planning/landscape/city theme this time around, at least as far as the samples go but probably as far as the music goes as well, as, well, this was crafted and mixed right here in the big bad city on September 15, 2015. To listen on the Prairieform site, click here, or to listen on Soundcloud, click here. Original cover art by yours truly.
If so, and if you have any ideas as to its proper identity, growth habits, needs, hankerings, please tweet to @prairieform or email us at firstname.lastname@example.org.
No need to speak French to capture the gist of this particular landscape featured at this year’s garden festival at Chaumont-sur-Loire. The designer sought to create a living and evolving painting contained within what appears to be a traditional frame. As such, the visitor approaches a wall as if they (yes, we know this should be she/he here, but isn’t that just oh-so clumsy) were in a museum, only to find within it a three-dimensional landscape that will grow, evolve, and change over time, so that viewing the painting one day will not produce the same results if one were to visit on another day. Viewed from afar, the landscape appears two-dimensional; viewed from up close and you can perceive depth, height, and width. According to the designer, the color palette consists of a range of blues in order to ideally inspire daydreaming and to evoke feelings of escape, discovery, and travel within whoever is viewing the garden. A novel idea indeed.
While hated by many for its invasiveness, it’s difficult not to marvel for just a moment at the multi-toned, variegated, and delicate beauty of an Acacia melanoxylon / black acacia seedling. You might marvel even more if you knew that this particular seedling shown above was found growing between the curb and a concrete slab of an unirrigated median on busy, traffic-soaked Adeline Street in south Berkeley (otherwise known as Quadrant B of the Vacant Lands Broakland Study Area). This is true tenacity.
How this seedling made its way to this particular spot is anyone’s guess, but an 1858 seed catalog might hold the key. It was brought from Australia to England in 1819 and was one of the first Australian plants offered for sale in California. William Walker was the first Californian to make it commercially available in his 1858 Golden Gate Nursery catalog. And now the tree can be found growing not only in California, but also in Africa, Asia, Europe, South America, and the continental US – a vast range in large part due to the plant’s knack for self-sowing with abandon and being able to grow and thrive within the toughest of conditions – from drought, to smog, to everything in between. Far from being a mere survivor, the tree is actually prized for its wood, both as durable lumber and as the raw material for something more decorative – say a chair, or, perhaps, a chaise.
Final tidbit of Acacia melanoxylon trivia: it goes by many more accessible, some might say sassier, names: Sally wattle, lightwood, hickory, mudgerabah, Tasmanian blackwood, black wattle, or blackwood acacia.
The perennial grass Festuca arundinacea / tall fescue was first spotted in the US in seed catalogs circa 1870. It was thought to be a viable option for a forage grass, and so it began to be used for grazing. So happy was the grass in its new environs that it started to spread throughout the US and now can be found in every state except Indiana and North Dakota. Its native habitat is damp grasslands, river banks, and coastal seashore locations in Europe and east into Siberia. It seems to have grown particularly fond of California, as it is now considered a noxious weed in the coastal portions of the state. The grass was found growing in the Vacant Lands Broakland Study Area within an unirrigated, eight-food-wide median on Adeline Street in South Berkeley.