Speaking at annual PG&E Water Conservation Showcase in SF

Prairieform's John Kamp wil be speaking at  the annual PG&E Water Conservation Showcase to be held on March 21 in San Francisco
Annual PG&E Water Conservation Showcase to be held on March 21 in San Francisco

We will be speaking on our work on irrigation-free landscapes at the annual PG&E Water Conservation Showcase in San Francisco on March 21. Specifically, we will be co-leading an interactive workshop on water conservation in residential landscape design with fellow landscape designer Kelly Marshall and Outreach Coordinator for the California Native Plant Society Kristen Wernick. All are welcome to attend. Sign up here.

John Kamp

The walking tour as sights, sounds, and memory

On the walking tour of South Colton, underneath a huge jacaranda tree
On the walking tour of South Colton, underneath a huge jacaranda tree (Prairieform’s John Kamp pointing out the effect of the canopy on the space)

There’s no better way to intimately familiarize oneself with an environment than through walking. You notice so many more details – both physical, such as the width of a sidewalk, and sensory, such as volumes and kinds of sounds, the amount of sunlight along a particular street, and smells (good and bad). Yet of utmost importance to any walking tour is ensuring that it includes local residents who live and breathe and feel the neighborhood every day.

In our walking tour of South Colton this past Saturday, we didn’t simply focus on pointing out flaws or improvement areas in infrastructure; a large part of the tour consisted of listening to residents about their stories and memories and what has made the place meaningful to them. Seventh Street, said one resident, used to be the “Broadway of South Colton.” Yet, once the 10 Freeway was built and cut the city in half, Seventh Street essentially became a dead-end street, and slowly the vibrant commercial and cultural life that existed on the street died away. Absent this resident’s story and this history, one would have no sense of just how integral the street was to the neighborhood, as today many of the lots along it stand vacant, with the remaining commercial buildings abandoned or locked up. Given the existing conditions now and the memories these residents all hold within them, how could Seventh Street become a new kind of bustling corridor for the neighborhood in which these memories and experiences are woven into its newest incarnation?

These are the kinds of questions and the kind of inquiry that planners and designers need to begin taking on if there is to be any hope of creating meaningful places that are truly unique, place-based, and for all residents and visitors to experience and enjoy.

To see more photos of the tour, click HERE.

John Kamp

Happy Holidays from Prairieform

An agave in Colton, CA, adorned with Christmas bulbs
An agave in Colton, CA, adorned with Christmas bulbs

Who says you can’t decorate an agave for Christmas? This resident in South Colton, California, indeed knew the answer to that question.

We’ll be in South Colton on January 19 leading a walking tour as part of the Active Transportation Overlay we are working on with Place It! and Dudek. Details forthcoming, but all will be welcome, and everyday, vernacular landscapes such as the one above will be featured as part of the tour.

-John Kamp

Go!

Photo from exhibit on Charles and Ray Eames at the Oakland Museum
Photo from exhibit on Charles and Ray Eames at the Oakland Museum

If you had written off Eames as a name synonymous with a certain type of look and chair that figures prominently within mags like Dwell and within the walls of austere mid-century modernist homes that have become, shall we say, a wee bit played out, you are probably not alone. Yet a trip to the Oakland Museum to see their temporary exhibit on Eames – that is, Charles and Ray Eames – might make you rethink writing Eames off as just another overpriced and coveted chair. The exhibit takes a compelling and playfully cacophonous look at the breadth of the work of the Eames duo – a body of work that encompassed so much more than chairs and whose mission was, at the end of the day, to make furniture and information and design available to the masses in an age of mass production. Additionally, the exhibit makes it very clear that contrary to what many had thought before, this was not a one-man show. Ray, Charles’s wife, was just as integral to the work as he was, as were their staff who populated their circus-like, delirious studio on Washington Boulevard in Venice, Los Angeles. Long story short: Go!

-John Kamp